Mimetic Theory

Mimesis (; Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.

The original Ancient Greek term mīmēsis (μίμησις) derives from mīmeisthai (μιμεῖσθαι, ‘to imitate’), itself coming from mimos (μῖμος, ‘imitator, actor’). In ancient Greece, mīmēsis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society.One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach’s Mimesis: The Representation of Reality in Western Literature, which opens with a comparison between the way the world is represented in Homer’s Odyssey and the way it appears in the Bible.In addition to Plato and Auerbach, mimesis has been theorised by thinkers as diverse as Aristotle, Philip Sidney, Samuel Taylor Coleridge, Adam Smith, Gabriel Tarde, Freud, Walter Benjamin, Theodor Adorno, Paul Ricœur, Luce Irigaray, Jacques Derrida, René Girard, Nikolas Kompridis, Philippe Lacoue-Labarthe, Michael Taussig, Merlin Donald, and Homi Bhabha.

― wikipedia/en/Mimesis

The Mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923-2015). The name of the theory derives from the philosophical concept mimesis, which carries a wide range of meanings. In mimetic theory, mimesis refers to human desire, which Girard thought was not linear but the product of a mimetic process in which people imitate models who endow objects with value. Girard called this phenomenon “mimetic desire”, and described mimetic desire as the foundation of his theory:“Man is the creature who does not know what to desire, and he turns to others in order to make up his mind. We desire what others desire because we imitate their desires.”Mimetic theory posits that mimetic desire leads to natural rivalry and eventually to scapegoating - Girard called this the scapegoat mechanism. In his study of history, Girard formed the hypothesis that societies unify their imitative desires around the destruction of a collectively agreed-upon scapegoat.The Colloquium on Violence & Religion is an international organization of scholars and practitioners interested in mimetic theory.

― wikipedia/en/Mimetic%20theory