Navarasa

The term “Navarasa” comes from classical Indian aesthetics and refers to the nine (nava) rasas, or emotional states, that are fundamental to all Indian classical dance and music. These rasas serve as the basis for the artist’s expression and the audience’s response. Here is a brief explanation of each:

1. Shringara (Love/Beauty): This rasa depicts love and beauty, both in its pure form and in its more passionate and erotic aspects. It’s often associated with the arts, nature, and the physical beauty of the human body.
2. Hasya (Laughter): This rasa represents joy, laughter, and comedy. It’s intended to evoke feelings of amusement and is often associated with light-hearted scenes and comic relief.
3. Karuna (Sorrow): Karuna embodies feelings of sorrow, pity, and compassion. It often arises in response to the suffering of others.
4. Raudra (Anger): This rasa is associated with anger and wrath. It often appears in scenes of conflict and confrontation.
5. Veera (Heroism/Courage): Veera is the rasa of bravery, heroism, and courage. It often features in stories of warriors and heroes facing their adversaries.
6. Bhayanaka (Terror/Fear): Bhayanaka evokes feelings of fear and terror. This rasa is often associated with suspenseful or horrifying scenes.
7. Bibhatsa (Disgust): This rasa represents feelings of disgust or revulsion. It often arises in response to things that are unpleasant or repulsive.
8. Adbutha (Surprise/Wonder): Adbutha embodies feelings of surprise, wonder, and fascination. It often appears in scenes that are enchanting or extraordinary.
9. Shantha (Peace or Tranquility): Shantha is the rasa of peace, tranquility, and serenity. It’s often associated with moments of reflection, meditation, and spiritual enlightenment.

These rasas not only guide artistic performances but also serve as a framework for understanding and articulating emotional experiences in life.